The addition of Bruce was presumably seen as a means of attracting rock
fans, as well as a way to give Lifetime a heavier bottom. The move did not
succeed on either count. Though an adventuresome bassist by rock standards,
Bruce's busy style was of little help to Lifetime. And, for whatever reason,
he never lifted his famous tenor voice in song on Turn It Over,
althought he did contribute an uncredited vocal on the pretentious "Two
Worlds", which was included in the third Lifetime LP (and first sans
McLaughlin), Ego. The quartet performs "Vuelta Abajo" (recorded in
July, 1970), a ponderous, amelodic number redolent of Hendrix's "Purple
Haze". (During this period Bruce also took part, as did McLaughlin, in Carla
Bley's and Paul Haines' unprecedented Escalator Over the Hill.)
IN late 1970, not long after the death of Jimi
Hendrix, John McLaughlin's star was steadily on the rise. His playing had
grown dramatically during his Lifetime stint, thanks in no small part to his
being pushed to the limit every night by Tony Williams juggernaut. His
confidence further buuoyed by encouragement from his idol Miles Davis to
form his own band, McLaughlin left Lifetime in early '71, amid some
rumblings of strained egos. Thus, the book was closed on the Tony Williams
Lifetime, editions 1 and 1A.
McLaughlin had recently embraced the teachings of guru Sri Chinmoy, who
gave him the devotional name "Mahavishnu" - ergo, the Mahavishnu
Orchestra, which within a year was filling rock venues, indoors and out,
around the world.
Better drilled and even louder than Lifetime, but not nearly as jarring,
the five-piece Orchestra drew heavily upon the blissfully droning timbres
and complex meters of Indian music and the thunderous dynamics of rock. The
unisons of McLaughlin and electric violinist Jerry Goodman soared, and
drummer Billy Cobham, whose techniques surpassed Williams (though his
overall musicality did not), was a powerhouse. But above all, the Mahavishnu
Orchestra's leader was the charismatic frontman that Lifetime had
lacked.
Whereas McLaughlin sold records by the truckload during the '70s, Larry
Young's attempts to crossover - two ersatz funk jobs for Arista - failed
dismally. In November, 1977, Young made an enthralling duo album for Muse
with drummer/pianist/composer Joe Chambers called Double Exposure. It
was to be his final recording; four months later, Young died, at age 38.
The Tony Williams Lifetime carried on in several increasingly rockish
incarnations, none of which clicked for either Polydor or Columbia. After
the demise of Lifetime V in 1977, Williams was a member of both V.S.O.P. (a
reunion of four-fifths of the Miles Davis quintet of the mid-'60s, with
Freddie Hubbard on trumpet) and the Great Jazz Trio (with Hank Jones and Ron
Carter).
He also recorded and/or gigged with Sonny Rollins, Weather Report,
Michael Mantler, Terumasa Hino, McCoy Tyner, and Wynton Marsalis - and John
McLaughlin. His last LP for Columbia, 1979's The Joy of Flying,
included an eagerly awaited but ultimately disappointing duet with Cecil
Taylor.
Following a period of bandleading inactivity in the early eighties,
during which he expanded his musical horizons by studying composition at the
University of California-Berkeley with professor Robert Stine and Dr. Robert
Greenberg, Williams re-emerged in 1985. Since then he has fronted a roaring,
modern hard-bop quintet, featuring such youbger lions as trumpeter Wallace
Roney, saxophonist Bill Pierce, and pianist Mulgrew Miller. While this band
has recorded a series of worthy albums, none has had the same shattering
impact as Williams first LP. But that was several Lifetimes ago - in 1969 -
when the New York Mets ruled, and the Tony Williams Lifetime sounded like no
other band in the world. Before or since.
Album Info:
Emergency!
Turn It Over