This is one of those albums true McLaughlin fans may look at with suspicious eyes. It is the most mainstream of his releases and therefore seems to have drawn more praise from those listeners who normally find McLaughlin too "out there". There have been complaints as well about John's guitar tone. To be sure, it is a bit too warm. But of all of McLaughlin's electric efforts, this is the most beautiful.

This isn't to say it is the best or the most influential. Simply, it is the most beautiful. It attains this status not just because of its melodic textures, driving rhythms or overall musicality. The beauty inherent in any recording can in some part be attributed to its spirituality. (I am not going into Sri Chinmoy mode here). The spirit which is alive on this album is located in its motivation. And that spirit isof John Coltrane. The beauty of this album emanates from McLaughlin's heartfelt purpose to honor the great saxophonist who trail blazed for JM and many others.

After The Rain features several tunes associated with Coltrane and showcases McLaughlin's interpretations in the context of a traditional jazz organ trio. Former Coltrane sideman Elvin Jones' drumming evokes memories and emotions which can only be described as reassuring. Jones accents, bangs, thuds and grunts in a powerful yet gentle way. The homage to Coltrane is evident in his brilliant playing. And does he mesh with McLaughlin and DeFrancesco? Yes.

The interplay is outstanding. Joey DeFrancesco, who like most B-3 players, has a tendency to meander somewhat during solos - meanders not a wit. His playing is purposeful and understated. However, when power is needed, he delivers.

McLaughlin's playing is more straight-ahead than it has ever been. At the same time, you know it is still JOHN MCLAUGHLIN. He attains a light swing, a somber tone, a lilting flow...words are lacking.

Pay special attention to this trio's interpretation of Mongo Santamaria's "Afro Blue". It is a driving killer. Coltrane's "Naima" receives a different take than McLaughlin's and Santana's acoustic tribute from Love, Devotion and Surrender. The album's title cut, "After the Rain" brings this loving tribute album to a soft and somber landing.

Every single tune is a highlight, but pay special attention to "My Favorite Things" because this is soon to be what this album will be to you

Walter Kolosky
smsi@attbi.com

Walter Kolosky is a businessman and jazz fan who lives in South Natick, MA, USA

"Encuentros" "Afro Blue"